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Brecht and tragedy :: radicalism, traditionalism, eristics / |
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ISBN/ISSN:
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9781108489683 价格： CNY751.71 |
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ISBN/ISSN:
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1108489680 |
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ISBN/ISSN:
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9781108747455 |
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ISBN/ISSN:
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1108747450 |
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语种:
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eng |
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科图分类法:
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I516.073 |
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著者:
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Revermann, Martin, |
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题名:
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Brecht and tragedy [radicalism, traditionalism, eristics ] |
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出版发行:
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Cambridge ; : Cambridge University Press, 2022. |
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载体形态:
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474 p. : ill. (some color) ; 25 cm. |
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内容提要:
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"This wide-ranging, detailed and engaging study of Brecht's complex relationship with Greek tragedy and tragic tradition argues that this is fundamental for understanding his radicalism. Featuring an extensive discussion of Brecht's The Antigone of Sophocles (1948) and further related works (the Antigone model book and the Small Organon for the Theatre), this monograph includes the first-ever publication of the complete set of colour photographs taken by Ruth Berlau. This is complemented by comparatist explorations of many of Brecht's own plays as his experiments with the 'big form'. The significance for Brecht of the Greek tragic tradition is positioned in relation to other formative influences on his work (Asian theatre, naturalism, comedy, Schiller and Shakespeare). Brecht emerges as a theatre artist of enormous range and creativity, who has succeeded in reshaping and re-energizing tragedy conceptualized as the 'big form' and has carved paths for its continued artistic and political relevance"-- |
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主题词:
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Greek drama (Tragedy) Influence. |
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HEA| |02192cam a2200313 450 001| |022022011239 008| |210622s2022 enka b 001 0 eng 010| |▼a 2021026751 020| |▼a9781108489683▼q(hardback) :▼cCNY751.71 020| |▼a1108489680▼q(hardback) 020| |▼a9781108747455▼q(library binding) 020| |▼a1108747450▼q(library binding) 020| |▼z9781108779210▼q(ebook) 040| |▼aDLC▼cDLC▼dOCLCO▼dOCLCF▼dTFW▼- | |dUKMGB▼dYDX▼dNDD▼dOCLCO▼dGSU 041|0 |▼aeng 042| |▼apcc 050|00|▼aPT2603.R397▼bZ8534 2022 082|00|▼a832/.912▼223 090| |▼aI516.073▼b235490 100|1 |▼aRevermann, Martin,▼eauthor. 245|10|▼aBrecht and tragedy :▼bradica- | |lism, traditionalism, eristics- | | /▼cMartin Revermann, Universi- | |ty of Toronto. 260| |▼aCambridge ;▼aNew York :▼bCam- | |bridge University Press,▼c2022. 300| |▼a474 p. :▼bill. (some color) ;▼c25 cm. 490|1 |▼aClassics after antiquity 504| |▼aIncludes bibliographical ref- | |erences and index. 520| |▼a"This wide-ranging, detailed- | | and engaging study of Brecht\'- | |s complex relationship with Gr- | |eek tragedy and tragic traditi- | |on argues that this is fundame- | |ntal for understanding his rad- | |icalism. Featuring an extensiv- | |e discussion of Brecht\'s The A- | |ntigone of Sophocles (1948) an- | |d further related works (the A- | |ntigone model book and the Sma- | |ll Organon for the Theatre), t- | |his monograph includes the fir- | |st-ever publication of the com- | |plete set of colour photograph- | |s taken by Ruth Berlau. This i- | |s complemented by comparatist - | |explorations of many of Brecht- | |\'s own plays as his experiment- | |s with the \'big form\'. The sig- | |nificance for Brecht of the Gr- | |eek tragic tradition is positi- | |oned in relation to other form- | |ative influences on his work (- | |Asian theatre, naturalism, com- | |edy, Schiller and Shakespeare)- | |. Brecht emerges as a theatre - | |artist of enormous range and c- | |reativity, who has succeeded i- | |n reshaping and re-energizing - | |tragedy conceptualized as the - | |\'big form\' and has carved path- | |s for its continued artistic a- | |nd political relevance"－－▼cPro- | |vided by publisher. 600|10|▼aBrecht, Bertolt,▼d1898-1956▼- | |xCriticism and interpretation. 650| 0|▼aGreek drama (Tragedy)▼xInfluence. 830| 0|▼aClassics after antiquity.