HEA|  |05663cam a2200337   450 
001|  |022022006077
008|  |210308t20222022enkaf    b    001 0 eng
010|  |▼a  2021009255
020|  |▼a9781350061149▼q(paperback) :-
   |  |▼cCNY216.34
020|  |▼a135006114X▼q(paperback)
020|  |▼a9781350061156▼q(hardback)
020|  |▼a1350061158▼q(hardback)
020|  |▼z9781350061163▼q(epub)
020|  |▼z9781350061170▼q(pdf)
040|  |▼aDLC▼cDLC▼dOCLCO▼dBDX▼dOCLCF▼-
   |  |dERASA▼dUKMGB▼dYDX▼dYUS▼dIAK
050|00|▼aN6465.A7▼bA84 2022
082|00|▼a709.03/49▼223
090|  |▼aJ110.9▼b230962
100|1 |▼aAshby, Charlotte,▼d1979-▼eauthor.
245|10|▼aArt nouveau :▼bart, architec-
   |  |ture and design in transformat-
   |  |ion /▼cCharlotte Ashby.
260|  |▼aLondon ;▼aNew York :▼bBlooms-
   |  |bury Visual Arts,▼c2022.
300|  |▼a254 p. :▼bill. (some color) ;▼c25 cm.
504|  |▼aIncludes bibliographical ref-
   |  |erences and index.
505|0 |▼aIntroduction. What was Art N-
   |  |ouveau? ; Art and the conditio-
   |  |ns of modernity ; About this b-
   |  |ook －－ Part I: The Structures -
   |  |of Art Nouveau. 1. The ninetee-
   |  |nth-century roots of Art Nouve-
   |  |au. The Gothic Revival, design-
   |  | reform and the Oxford Museum -
   |  |of Natural History (1860) ; Ae-
   |  |stheticism and Whistler\'s Peac-
   |  |ock Room (1876-7) ; Nature, sc-
   |  |ience and art and Liljefors\'s -
   |  |Woodcocks; Red-Backed Shrike; -
   |  |Thrush in Its Nest; Preying Ha-
   |  |wk; Sparrows (1888) －－ 2. A ne-
   |  |w style for a new age : innova-
   |  |tions in form, materials and o-
   |  |rnament. Gaudi\'s Guell Palace -
   |  |: form, materials and experien-
   |  |ce ; Lechner\'s Museum of Appli-
   |  |ed Arts : the invention of nat-
   |  |ional ornament ; Sullivan\'s Gu-
   |  |aranty Building : new ornament-
   |  | for new modes of construction-
   |  | ; Parallel developments in ap-
   |  |plied art ; Galle\'s On Such a -
   |  |Night as This : material becom-
   |  |es ornament －－ 3. Sites of Art-
   |  | Nouveau : new forms of exhibi-
   |  |tion. Brussels, L\'Art moderne -
   |  |and the Les XX group ; The Mun-
   |  |ich Secession ; The 1900 Paris-
   |  | World\'s Fair －－ 4. Designers -
   |  |and manufacturers : how Art No-
   |  |uveau was made and sold. Charl-
   |  |es Robert Ashbee and the Guild-
   |  | of Handicrafts ; Louis Comfor-
   |  |t Tiffany, Clara Driscoll and -
   |  |Tiffany Studios ; Peter Behren-
   |  |s, Darmstadt and AEG －－ 5. Art-
   |  | Nouveau on paper : print and -
   |  |graphic art. Odilon Redon and -
   |  |the artist print ; Aubrey Bear-
   |  |dsley : the artist as illustra-
   |  |tor ; Elizabeth Shippen Green -
   |  |: Art Nouveau and commercial i-
   |  |llustration ; International ar-
   |  |t and design journals －－ 6. Ar-
   |  |t Nouveau patrons and networks-
   |  |. Siegfried Bing and the Maiso-
   |  |n de l\'Art Nouveau ; Justus Br-
   |  |inckmann and museum curation ;-
   |  | Princess Tenisheva : the Worl-
   |  |d of Art and the Talashkino ar-
   |  |tist\'s colony ; Sarah Bernhard-
   |  |t : celebrity and patronage －－-
   |  | Conclusion to Part I: Art Nou-
   |  |veau in Vienna. The Vienna Sec-
   |  |ession ; The Wiener Werkstatte －－
505|8 |▼aPart II: The content of Art -
   |  |Nouveau. 7. The power of natur-
   |  |e. Victor Horta : Tassel House-
   |  | and the jungle in the city ; -
   |  |August Endell : Elvira Studio -
   |  |and the wilder shores of life -
   |  |; France Macdonald : The pond -
   |  |and the threat of fecundity ; -
   |  |Rene-Jules Lalique : the beaut-
   |  |ies of nature ; The raw materi-
   |  |als of Art Nouveau －－ 8. The g-
   |  |lobal reach of colonialism. Th-
   |  |e Sphinx Mysterieux and the pe-
   |  |rformance of colonial power ; -
   |  |India Art Nouveau and pan-Asia-
   |  |nism ; Dutch Art Nouveau and J-
   |  |avanese Batik ; Transnational -
   |  |Art Nouveau and cultural excha-
   |  |nge －－ 9. Visions of other wor-
   |  |lds and hopes for the future. -
   |  |Stanislaw Wyspianski : visions-
   |  | of a future Polish nation ; M-
   |  |ary Seton Watts and the cosmos-
   |  | in ornament ; Hilma af Klint -
   |  |: spiritualist visions －－ 10. -
   |  |Psychology, sex and the modern-
   |  | self. Fernand Khnopff : the j-
   |  |ourney into the self ; Camille-
   |  | Claudel : the creative labour-
   |  | of the artist ; Edvard Munch -
   |  |: trials of isolation and conn-
   |  |ection ; Elena Luksch-Makowsky-
   |  | : gender and creativity ; Mag-
   |  |nus Enckell, George Minne and -
   |  |the adolescent male nude －－ 11-
   |  |. Dream spaces : the Art Nouve-
   |  |au interior. Fyodor Shekhtel :-
   |  | Ryabushinsky House and a king-
   |  |dom beneath the waves ; Charle-
   |  |s Rennie Mackintosh and Margar-
   |  |et Macdonald : Fritz Waerndorf-
   |  |er\'s music room and the perfor-
   |  |mance of beauty ; The light of-
   |  | other worlds : dreams of a na-
   |  |tion ; Otto Wagner : St Leopol-
   |  |d\'s Church and the healing pow-
   |  |er of art －－ 12. Conclusion: N-
   |  |ew art for a changing world. A-
   |  |rt Nouveau : public art and co-
   |  |llective identity ; Art Nouvea-
   |  |u worldwide ; Art Nouveau : de-
   |  |cline and evolution ; Conclusion.
520|  |▼a"Art Nouveau: Art, Architect-
   |  |ure and Design in Transformati-
   |  |on presents a new overview of -
   |  |the international Art Nouveau -
   |  |movement. Art Nouveau, Charlot-
   |  |te Ashby argues, represented t-
   |  |he search for a new style for -
   |  |a new age, and hence a respons-
   |  |e to the conditions of moderni-
   |  |ty, in a world transformed by -
   |  |developments such as industria-
   |  |lisation, the growth of new ci-
   |  |ties, and the movements of pop-
   |  |ulations into these cities, br-
   |  |inging about new ways of livin-
   |  |g, working and making that wer-
   |  |e felt to be fundamentally dif-
   |  |ferent to what had gone before-
   |  |. The book is structured aroun-
   |  |d key themes for understanding-
   |  | the aesthetics and contexts o-
   |  |f Art Nouveau, including form -
   |  |and ornament, symbolism and ps-
   |  |ychology, new forms of transpo-
   |  |rt and communication, colonial-
   |  |ism and imperialism, the rise -
   |  |of the \'modern woman\' and the -
   |  |role of the patron-collector a-
   |  |nd the professional designer. -
   |  |Ashby explores the movement th-
   |  |rough 65 varied case studies o-
   |  |f architecture, interiors, pai-
   |  |ntings, furniture, graphic art-
   |  |s, glass and ceramics by artis-
   |  |ts and designers, drawn from e-
   |  |ighteen countries from a wide -
   |  |range of countries"－－▼cProvide-
   |  |d by publisher.
650| 0|▼aArt nouveau.
650| 0|▼aArt and society▼xHistory▼y19-
   |  |th century.
650| 0|▼aArt and society▼xHistory▼y20-
   |  |th century.
650| 0|▼aArchitecture and society▼xHi-
   |  |story▼y19th century.
650| 0|▼aArchitecture and society▼xHi-
   |  |story▼y20th century.