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The eye of the cinematograph :: Levinas and realisms of the body /

ISBN/ISSN:
9781399507257 价格: CNY193.97
ISBN/ISSN:
9781399507264
ISBN/ISSN:
9781399507240
科图分类法:
J90-02
著者:
Manafi, Keyvan,
题名:
The eye of the cinematograph [Levinas and realisms of the body ]
出版发行:
Edinburgh : Edinburgh University Press, 2023.
载体形态:
vii, 244 pages : illustrations ; 22 cm
附注:
Title from publisher's bibliographic system (viewed on 07 Mar 2025).
内容提要:
<i>The Eye of the Cinematograph</i> investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel L vinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.<br><br>To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure.
主题词:
Motion pictures Philosophy.
主题词:
Human body in motion pictures.
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020|  |▼a9781399507264▼qebook
020|  |▼a9781399507240▼qhardback
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082|04|▼a791.4301▼223
090|  |▼aJ90-02▼b260508
100|1 |▼aManafi, Keyvan,▼eauthor.
245|14|▼aThe eye of the cinematograph-
   |  | :▼bLevinas and realisms of th-
   |  |e body /▼cKeyvan Manafi.
260|  |▼aEdinburgh :▼bEdinburgh Unive-
   |  |rsity Press,▼c2023.
300|  |▼avii, 244 pages :▼billustrati-
   |  |ons ;▼c22 cm
336|  |▼atext▼btxt▼2rdacontent
337|  |▼aunmediated▼bn▼2rdamedia
338|  |▼avolume▼bnc▼2rdacarrier
500|  |▼aTitle from publisher\'s bibli-
   |  |ographic system (viewed on 07 Mar 2025).
520|  |▼a<i>The Eye of the Cinematogr-
   |  |aph</i> investigates the ethic-
   |  |al and aesthetic implications -
   |  |of the automatic formation of -
   |  |the body\'s image by the camera-
   |  |. Drawing on Emmanuel L  vinas-
   |  |\' thought, Manafi asks what ha-
   |  |ppens when the other makes the-
   |  |ir body available to the gaze -
   |  |of the camera to be automatica-
   |  |lly recorded, and this giving -
   |  |of the body is preserved withi-
   |  |n the image, juxtaposed with o-
   |  |ther images to allude to a sto-
   |  |ry that might otherwise remain-
   |  | untold.<br><br>To locate the -
   |  |ethical at this intersection o-
   |  |f the body and the aesthetic, -
   |  |this book articulates an ethic-
   |  |al account of a diverse range -
   |  |of film theories to demonstrat-
   |  |e alternative encounters with -
   |  |the other that realisms of the-
   |  | body offer. Manafi discusses -
   |  |works by Chantal Akerman, Brun-
   |  |o Dumont, Pedro Costa, Gus Van-
   |  | Sant, Sohrab Shahid Saless, A-
   |  |bbas Kiarostami, Amir Naderi, -
   |  |Jafar Panahi, Carlos Reygadas -
   |  |and Andy Warhol to make a case-
   |  | for the ethics and aesthetics-
   |  | of incompleteness and perform-
   |  |ative failure.
600|10|▼aL  vinas, Emmanuel.
650| 0|▼aMotion pictures▼xPhilosophy.
650| 0|▼aHuman body in motion pictures.
776|08|▼iPrint version: ▼z9781399507240.