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Women art dealers :: creating markets for modern art, 1940-1990 /

ISBN/ISSN:
9781350292451 价格: CNY873.32
ISBN/ISSN:
1350292451
ISBN/ISSN:
9781350292420
ISBN/ISSN:
1350292427
ISBN/ISSN:
9781350292444
ISBN/ISSN:
9781350292437
科图分类法:
J114
题名:
Women art dealers [creating markets for modern art, 1940-1990 ]
出版发行:
London ; : Bloomsbury Visual Arts, 2024.
载体形态:
xxiv, 308 pages : illustrations ; 24 cm.
内容提要:
"Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the field of art markets, challenging male-dominated histories by analyzing the work of female dealers who anticipated the global model, worked to promote art across continents, and thus developed an international art market. Part 1 focuses on the women gallerists behind the promotion of modern art after World War II who participated in important research about the neo-Avant-Garde. Part 2 examines the contributions by women art dealers toward the birth of new markets - through establishing the reputation of artistic genres, such as video art and photography, and working at the forefront of advancing contemporary art. Finally, Part 3 analyzes case studies from the southern European art scene, paying fresh attention to several under-researched markets in the region like Italy and Portugal. Each chapter study provides a historiographic profile of the gallery under discussion and critical analysis is supported with a wide range of visual material including portraits of the women art dealers, photographs of the exhibitions they managed, and printed documentation like catalogues, invitations, and posters that were often used to support artists on display in experimental ways"--
主题词:
Women art dealers.
主题词:
Art galleries, Commercial History 20th century.
主题词:
Art, Modern Economic aspects.
主题词:
Art, Modern Marketing.
主题词:
Art galleries, Commercial.
主题词:
Art, Modern Economic aspects.
主题词:
Art, Modern Marketing.
主题词:
Women art dealers.
主要责任者:
Chagnon-Burke, Ve
主要责任者:
Toschi, Caterina,
标签:
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020|  |▼a9781350292451▼cCNY873.32▼qhardcover
020|  |▼a1350292451▼qhardcover
020|  |▼a9781350292420▼qpaperback
020|  |▼a1350292427▼qpaperback
020|  |▼a9781350292444▼qelectronic book
020|  |▼a9781350292437▼qelectronic book
024|  |▼a18198720
040|  |▼aDLC▼beng▼erda▼cDLC▼dBDX▼dOCL-
   |  |CF▼dOCLCO▼dUKMGB▼dOCLCQ▼dYHM▼dYDX
042|  |▼apcc
090|  |▼aJ114▼b260501
245|00|▼aWomen art dealers :▼bcreatin-
   |  |g markets for modern art, 1940-
   |  |-1990 /▼cedited by Ve
260|  |▼aLondon ;▼aNew York :▼bBlooms-
   |  |bury Visual Arts,▼c2024.
300|  |▼axxiv, 308 pages :▼billustrat-
   |  |ions ;▼c24 cm.
336|  |▼atext▼btxt▼2rdacontent
337|  |▼aunmediated▼bn▼2rdamedia
338|  |▼avolume▼bnc▼2rdacarrier
490|1 |▼aContextualizing art markets
504|  |▼aIncludes bibliographical ref-
   |  |erences and index.
505|0 |▼aWomen art dealers : creating-
   |  | markets for modern art, 1940-90 / Ve
520|  |▼a"Women Art Dealers brings to-
   |  |gether fascinating case studie-
   |  |s of galleries run by women be-
   |  |tween the 1940s and 1980s. It -
   |  |marks a departure from other w-
   |  |ork in the field of art market-
   |  |s, challenging male-dominated -
   |  |histories by analyzing the wor-
   |  |k of female dealers who antici-
   |  |pated the global model, worked-
   |  | to promote art across contine-
   |  |nts, and thus developed an int-
   |  |ernational art market. Part 1 -
   |  |focuses on the women gallerist-
   |  |s behind the promotion of mode-
   |  |rn art after World War II who -
   |  |participated in important rese-
   |  |arch about the neo-Avant-Garde-
   |  |. Part 2 examines the contribu-
   |  |tions by women art dealers tow-
   |  |ard the birth of new markets --
   |  | through establishing the repu-
   |  |tation of artistic genres, suc-
   |  |h as video art and photography-
   |  |, and working at the forefront-
   |  | of advancing contemporary art-
   |  |. Finally, Part 3 analyzes cas-
   |  |e studies from the southern Eu-
   |  |ropean art scene, paying fresh-
   |  | attention to several under-re-
   |  |searched markets in the region-
   |  | like Italy and Portugal. Each-
   |  | chapter study provides a hist-
   |  |oriographic profile of the gal-
   |  |lery under discussion and crit-
   |  |ical analysis is supported wit-
   |  |h a wide range of visual mater-
   |  |ial including portraits of the-
   |  | women art dealers, photograph-
   |  |s of the exhibitions they mana-
   |  |ged, and printed documentation-
   |  | like catalogues, invitations,-
   |  | and posters that were often u-
   |  |sed to support artists on disp-
   |  |lay in experimental ways"--▼cP-
   |  |rovided by publisher.
650| 0|▼aWomen art dealers.
650| 0|▼aArt galleries, Commercial▼xH-
   |  |istory▼y20th century.
650| 0|▼aArt, Modern▼xEconomic aspects.
650| 0|▼aArt, Modern▼xMarketing.
650| 7|▼aArt galleries, Commercial.▼2fast
650| 7|▼aArt, Modern▼xEconomic aspects.▼2fast
650| 7|▼aArt, Modern▼xMarketing.▼2fast
650| 7|▼aWomen art dealers.▼2fast
700|1 |▼aChagnon-Burke, Ve
700|1 |▼aToschi, Caterina,▼eeditor.
776|08|▼iOnline version:▼tWomen art d-
   |  |ealers▼dLondon ; New York : Bl-
   |  |oomsbury Visual Arts, [2023]▼z-
   |  |9781350292444▼w(DLC)  2022048442
830| 0|▼aContextualizing art markets.