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Modernism and the idea of India :: the art of passive resistance / |
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ISBN/ISSN:
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9781009505246 价格： CNY873.32 |
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ISBN/ISSN:
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9781009505253 |
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科图分类法:
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J135.1 |
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著者:
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Brown, Judith |
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题名:
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Modernism and the idea of India [the art of passive resistance ] |
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出版发行:
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Cambridge : Cambridge University Press, 2025. |
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载体形态:
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x, 196 pages : illustrations ; 22 cm |
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附注:
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Title from publisher's bibliographic system (viewed on 10 Jan 2025). |
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内容提要:
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In his 1909 manifesto Hind Swaraj, Gandhi made an impassioned call for passive resistance that he soon retracted. 'Passive resistance' didn't, in the end, serve his overarching aims, but was troubled on multiple grounds from its use of the English phrase to the weakness implied by passivity. Modernism and the Idea of India: The Art of Passive Resistance claims that the difficulty embedded in the phrase 'passive resistance', from its seeming internal contradiction to the troubling category of passivity itself, transforms in artistic expression, where its dynamism, ambivalence, and receptivity enable art's capacity to create new forms of meaning. India provides the ground and the fantasy for writers and artists including Rabindranath Tagore, R.K. Narayan, Ahmed Ali, Amrita Sher-Gil, Virginia Woolf, and Le Corbusier. These artists and writers explore the capacities of passive resistance inspired by Gandhi's treatise, but move beyond its call for activism into new languages of art. |
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主题词:
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Arts India. |
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主题词:
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Arts, Indic India. |
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主题词:
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Aesthetics, Indic. |
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主题词:
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Modernism (Aesthetics) India. |
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HEA| |02023cam a2200289 450 001| |022025006831 008| |231106s2025||||enk o ||1 0|eng|d 020| |▼a9781009505246▼qhardback▼cCNY873.32 020| |▼a9781009505253▼qpaperback 040| |▼aUkCbUP▼beng▼erda▼cUkCbUP▼dStGlU 043| |▼aa-ii－－- 082|00|▼a700.954▼223/eng/20240701 090| |▼aJ135.1▼b260511 100|1 |▼aBrown, Judith▼q(Judith Chris- | |tine),▼eauthor. 245|10|▼aModernism and the idea of In- | |dia :▼bthe art of passive resi- | |stance /▼cJudith Brown. 260| |▼aCambridge :▼bCambridge Unive- | |rsity Press,▼c2025. 300| |▼ax, 196 pages :▼billustrations ;▼c22 cm 336| |▼atext▼btxt▼2rdacontent 337| |▼aunmediated▼bn▼2rdamedia 338| |▼avolume▼bnc▼2rdacarrier 500| |▼aTitle from publisher\'s bibli- | |ographic system (viewed on 10 Jan 2025). 520| |▼aIn his 1909 manifesto Hind S- | |waraj, Gandhi made an impassio- | |ned call for passive resistanc- | |e that he soon retracted. \'Pas- | |sive resistance\' didn\'t, in th- | |e end, serve his overarching a- | |ims, but was troubled on multi- | |ple grounds from its use of th- | |e English phrase to the weakne- | |ss implied by passivity. Moder- | |nism and the Idea of India: Th- | |e Art of Passive Resistance cl- | |aims that the difficulty embed- | |ded in the phrase \'passive res- | |istance\', from its seeming int- | |ernal contradiction to the tro- | |ubling category of passivity i- | |tself, transforms in artistic - | |expression, where its dynamism- | |, ambivalence, and receptivity- | | enable art\'s capacity to crea- | |te new forms of meaning. India- | | provides the ground and the f- | |antasy for writers and artists- | | including Rabindranath Tagore- | |, R.K. Narayan, Ahmed Ali, Amr- | |ita Sher-Gil, Virginia Woolf, - | |and Le Corbusier. These artist- | |s and writers explore the capa- | |cities of passive resistance i- | |nspired by Gandhi\'s treatise, - | |but move beyond its call for a- | |ctivism into new languages of art. 650| 0|▼aArts▼zIndia. 650| 0|▼aArts, Indic▼zIndia. 650| 0|▼aAesthetics, Indic. 650| 0|▼aModernism (Aesthetics)▼zIndia. 776|08|▼iPrint version: ▼z9781009505246.