| 名称: | |
| 描述: | |
| 公开/私有: | 公开 私有 |
标签:
用空格间隔多个标签,如:小说 文学 余秋雨
保存至书单:
封面仅供参考
Collaboration :: a potential history of photography / |
|
|
ISBN/ISSN:
|
9780500545331 价格： CNY582.22 |
|
ISBN/ISSN:
|
0500545332 |
|
科图分类法:
|
J409.1 |
|
著者:
|
Azoulay, Ariella, |
|
题名:
|
Collaboration [a potential history of photography ] |
|
其它题名:
|
Potential history of photography |
|
出版发行:
|
London ; : Thames and Hudson, 2023. |
|
载体形态:
|
287 pages : illustrations (some colour) ; 29 cm |
|
内容提要:
|
"Collaboration is a groundbreaking publication, by five great thinkers and practitioners in photography, in collaboration with hundreds of photographers, writers, critics, artists, and academics. This collection uses the lens of collaboration to challenge dominant narratives around photographic history and authorship. Working with an accumulation of more than six hundred photographs, each entry breaks apart photography’s "single creator" tradition by bringing to light tangible traces of collaboration—the various relationships, exchanges, and interactions that occur in the making of any photograph and in the shaping, undoing and transforming archives. The book explores themes such as coercion and cooperation, friendship and exploitation, shared interests and competition, and rivalry or antagonistic partnership. Collaboration foregrounds key issues facing photography, including gender, race, and societal hierarchies/divisions—and their role in shaping and reshaping identities and communities, and provoking resistance or conformity. The photographs are presented alongside quotes, testimonies, and short texts offering perspectives on the array of themes, geographies, contexts, and events. The editors introduce each cluster of projects by providing a framework to understand and decode the complex politics, temporalities, and potentialities of photography. Collaboration reconstructs the infrastructure of photography as a collaborative practice and offers a pedagogical tool for practitioners and scholars of photography." -- Publisher's website. |
|
主题词:
|
Photography History. |
|
主题词:
|
Photographers History. |
|
主要责任者:
|
Ewald, Wendy, |
|
主要责任者:
|
Meiselas, Susan, |
|
主要责任者:
|
Raiford, Leigh, |
|
主要责任者:
|
Wexler, Laura, |
|
标签:
|
|
|
相关资源:
|
|
限定所在馆:
限定所在馆藏地点:
限定馆藏状态:
预约：可预约已外借图书，在馆图书不可预约
>>
HEA| |03036cam 2200313 450 001| |022025006841 008| |230905s2023 enka e b 001 0 eng d 020| |▼a9780500545331▼q(hardback)▼cCNY582.22 020| |▼a0500545332▼q(hardback) 040| |▼aUKMGB▼beng▼erda▼cUKMGB▼dYDX▼- | |dOCLCO▼dOCLCF▼dOCLCQ▼dOCLCO▼dY- | |T1▼dAVA▼dNZAUC▼dTOH▼dBDX▼dIMD▼- | |dMTH▼dRCE▼dGK5▼dZLM▼dUtOrBLW 082|04|▼a770.9▼223 090| |▼aJ409.1▼b260521 100|1 |▼aAzoulay, Ariella,▼eauthor. 245|10|▼aCollaboration :▼ba potential- | | history of photography /▼cAri- | |ella Azoulay. 246|30|▼aPotential history of photography 260| |▼aLondon ;▼aNew York :▼bThames- | | and Hudson,▼c2023. 300| |▼a287 pages :▼billustrations (- | |some colour) ;▼c29 cm 336| |▼atext▼btxt▼2rdacontent 337| |▼aunmediated▼bn▼2rdamedia 338| |▼avolume▼bnc▼2rdacarrier 504| |▼aIncludes bibliographical ref- | |erences and index. 505|0 |▼aThe photographed person was - | |always there －－ Reshaping the - | |authoral position －－ Iconizati- | |on is preceded by collaboratio- | |n －－ Potentializing violence －－ | |- When a community is at stake- | | －－ Photography preserves sove- | |reign history as incomplete －－- | | Co-archiving －－ Sovereign and- | | the civil power of the apparatus. 520| |▼a"Collaboration is a groundbr- | |eaking publication, by five gr- | |eat thinkers and practitioners- | | in photography, in collaborat- | |ion with hundreds of photograp- | |hers, writers, critics, artist- | |s, and academics. This collect- | |ion uses the lens of collabora- | |tion to challenge dominant nar- | |ratives around photographic hi- | |story and authorship. Working - | |with an accumulation of more t- | |han six hundred photographs, e- | |ach entry breaks apart photogr- | |aphy’s "single creator"- | | tradition by bringing to ligh- | |t tangible traces of collabora- | |tion—the various relati- | |onships, exchanges, and intera- | |ctions that occur in the makin- | |g of any photograph and in the- | | shaping, undoing and transfor- | |ming archives. The book explor- | |es themes such as coercion and- | | cooperation, friendship and e- | |xploitation, shared interests - | |and competition, and rivalry o- | |r antagonistic partnership. Co- | |llaboration foregrounds key is- | |sues facing photography, inclu- | |ding gender, race, and societa- | |l hierarchies/divisions—- | |;and their role in shaping and- | | reshaping identities and comm- | |unities, and provoking resista- | |nce or conformity. The photogr- | |aphs are presented alongside q- | |uotes, testimonies, and short - | |texts offering perspectives on- | | the array of themes, geograph- | |ies, contexts, and events. The- | | editors introduce each cluste- | |r of projects by providing a f- | |ramework to understand and dec- | |ode the complex politics, temp- | |oralities, and potentialities - | |of photography. Collaboration - | |reconstructs the infrastructur- | |e of photography as a collabor- | |ative practice and offers a pe- | |dagogical tool for practitione- | |rs and scholars of photography- | |." －－ Publisher\'s website. 650| 0|▼aPhotography▼xHistory. 650| 0|▼aPhotographers▼xHistory. 700|1 |▼aEwald, Wendy,▼eauthor. 700|1 |▼aMeiselas, Susan,▼eauthor. 700|1 |▼aRaiford, Leigh,▼eauthor. 700|1 |▼aWexler, Laura,▼eauthor.