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Distributed perception :: resonances and axiologies / |
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ISBN/ISSN:
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9780367743017 价格： CNY1407.02 |
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ISBN/ISSN:
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0367743019 |
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ISBN/ISSN:
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9780367743000 |
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ISBN/ISSN:
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0367743000 |
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ISBN/ISSN:
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9781003157021 |
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ISBN/ISSN:
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9781000521702 |
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ISBN/ISSN:
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9781000521665 |
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科图分类法:
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B842.1 |
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题名:
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Distributed perception [resonances and axiologies ] |
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出版发行:
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Abingdon, Oxon ; : Routledge, Taylor & Francis Group, , 2022. |
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载体形态:
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xv, 287 pages : illustrations (black and white) ; 25 cm. |
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内容提要:
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"Contributors to this book include key theorists and practitioners from media theory, Native Science, bio-media and sound art, philosophy, art history and design informatics. Collectively, they examine the becoming-technique of animal-human- machinic perceptibilities; and micro-perceptions that lie beneath the threshold of known perceptions yet create energetic vibrations. Who, what, and where perceives, and how? What are the sedimentations, inscriptions and axiologies of animal, human and machinic perceptions? What are their perceptibilities? Deleuze uses the word 'visibilities' to indicate that visual perception isn't just a physiological given but cues operations productive of new assemblages. Perceptibilities are, by analogy, spatio- temporal, geolocative, kinaesthetic, audio-visual, and haptic operations that are always already memory. In the case of strong inscriptions, they are also epigenetic events. The contributors show distributed perception to be a key notion in addressing the emergence and persistence of plant, animal, human and machine relations. An invaluable reference for students and scholars in a range of areas including Media Theory, Sociology, Philosophy, Art and Design"-- |
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主题词:
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Cognition. |
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主题词:
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Perception. |
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主题词:
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Human-animal relationships. |
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主题词:
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Human-computer interaction. |
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主题词:
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Cognition. |
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主题词:
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Human-animal relationships. |
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主题词:
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Human-computer interaction. |
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主题词:
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Perception. |
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主要责任者:
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Lushetich, Natasha, |
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主要责任者:
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Campbell, Iain |
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标签:
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HEA| |03023cam 2200457 450 001| |022025006791 008| |210916t20222022enka b 001 0 eng 010| |▼a 2021036326 020| |▼a9780367743017▼qhardcover▼cCNY1407.02 020| |▼a0367743019▼qhardcover 020| |▼a9780367743000▼qpaperback 020| |▼a0367743000▼qpaperback 020| |▼a9781003157021▼qelectronic book 020| |▼a9781000521702▼qelectronic publication 020| |▼a9781000521665▼qelectronic book 024|8 |▼a40031033159 040| |▼aDLC▼beng▼erda▼cDLC▼dOCLCO▼dO- | |CLCF▼dUKMGB▼dBDX▼dYDX 042| |▼apcc 079| |▼a1261878073 090| |▼aB842.1▼b260479 245|00|▼aDistributed perception :▼bre- | |sonances and axiologies /▼cedi- | |ted by Natasha Lushetich and I- | |ain Campbell. 260| |▼aAbingdon, Oxon ;▼aNew York, - | |NY :▼bRoutledge, Taylor & Fran- | |cis Group,▼c2022. 300| |▼axv, 287 pages :▼billustratio- | |ns (black and white) ;▼c25 cm. 336| |▼atext▼btxt▼2rdacontent 337| |▼aunmediated▼bn▼2rdamedia 338| |▼avolume▼bnc▼2rdacarrier 490|1 |▼aRoutledge studies in science- | |, technology and society 504| |▼aIncludes bibliographical ref- | |erences and index. 520| |▼a"Contributors to this book i- | |nclude key theorists and pract- | |itioners from media theory, Na- | |tive Science, bio-media and so- | |und art, philosophy, art histo- | |ry and design informatics. Col- | |lectively, they examine the be- | |coming-technique of animal-hum- | |an- machinic perceptibilities;- | | and micro-perceptions that li- | |e beneath the threshold of kno- | |wn perceptions yet create ener- | |getic vibrations. Who, what, a- | |nd where perceives, and how? W- | |hat are the sedimentations, in- | |scriptions and axiologies of a- | |nimal, human and machinic perc- | |eptions? What are their percep- | |tibilities? Deleuze uses the w- | |ord \'visibilities\' to indicate- | | that visual perception isn\'t - | |just a physiological given but- | | cues operations productive of- | | new assemblages. Perceptibili- | |ties are, by analogy, spatio- - | |temporal, geolocative, kinaest- | |hetic, audio-visual, and hapti- | |c operations that are always a- | |lready memory. In the case of - | |strong inscriptions, they are - | |also epigenetic events. The co- | |ntributors show distributed pe- | |rception to be a key notion in- | | addressing the emergence and - | |persistence of plant, animal, - | |human and machine relations. A- | |n invaluable reference for stu- | |dents and scholars in a range - | |of areas including Media Theor- | |y, Sociology, Philosophy, Art - | |and Design"－－▼cProvided by publisher. 650| 0|▼aCognition. 650| 0|▼aPerception. 650| 0|▼aHuman-animal relationships. 650| 0|▼aHuman-computer interaction. 650| 7|▼aCognition.▼2fast 650| 7|▼aHuman-animal relationships.▼2fast 650| 7|▼aHuman-computer interaction.▼2fast 650| 7|▼aPerception.▼2fast 700|1 |▼aLushetich, Natasha,▼eeditor. 700|1 |▼aCampbell, Iain▼c(Research as- | |sistant),▼eeditor. 776|08|▼iOnline version:▼tDistributed- | | perception▼dLondon ; New York- | | : Routledge, 2021▼z9781003157- | |021▼w(DLC) 2021036327 830| 0|▼aRoutledge studies in science- | |, technology, and society.