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Young Mr Turner :: the first forty years, 1775-1815 /
ISBN/ISSN:
9780300140651 价格： CNY1124.70
ISBN/ISSN:
0300140657
语种:
eng
科图分类法:
K835.615.72
著者:
Shanes, Eric,
题名:
Young Mr Turner [the first forty years, 1775-1815 ]
出版发行:
New Haven : Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2016.
载体形态:
xiii, 538 pages : illustrations (chiefly color) ; 30 cm.
附注:
"J. M. W. Turner : A life in art, I"--Title page.
内容提要:
J. M. W. Turner (1775-1851) was arguably Britain's greatest painter. Through a remarkable amount of groundbreaking research, and by rigorously examining the existing evidence concerning the artist's first 40 years. Eric Shanes has been able to unearth a mass of new information, forge many fresh links and provide a great number of original insights. His own training as a painter has enabled him to bring a profound understanding to the practical side of Turner, and thereby reveal many aspects of the output that have hitherto been overlooked. In order to intensify our grasp of the interrelationship between Turner the man and Turner the painter, this book contains over 450 illustrations that form an integral part of the story. As a consequence, we are able to perceive the exact trajectory of Turner's formative years and early maturity more clearly than ever before. Within a strictly chronological framework, Turner's personal and creative developments are charted in tandem, offering an exploration of his stengths and weaknesses of character, and his intellectual and emotional complexity. Shanes provides an unrivalled account of Turner's creative aims and responses, his imaginative and technical evolution, his poetic aspirations and identifications, his strong sense of duty and his educative ambitions. No less closely scrutinised are Turner's mastery of art-world politics, his wider political outlook, his professional relationships, his sales, financial dealings and investments, his travels, and even the buildings in which he lived and worked. Ultimately, we are shown that, despite his difficulties with verbal communication, Turner possessed one of the sharpest and most dazzling minds in the entire history of art. -- from dust jacket.
主题词:
Painters Great Britain
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100|1 |▼aShanes, Eric,▼eauthor.
245|10|▼aYoung Mr Turner :▼bthe first-
   |  | forty years, 1775-1815 /▼cEric Shanes.
260|  |▼aNew Haven :▼bPublished for t-
   |  |he Paul Mellon Centre for Stud-
   |  |ies in British Art by Yale Uni-
   |  |versity Press,▼c2016.
300|  |▼axiii, 538 pages :▼billustrat-
   |  |ions (chiefly color) ;▼c30 cm.
500|  |▼a"J. M. W.  Turner : A life i-
   |  |n art,  I"－－Title page.
504|  |▼aIncludes bibliographical ref-
   |  |erences (pages 510-517) and index.
505|0 |▼aAntecedents and early years,-
   |  | 1775 to 1788 －－ London again,-
   |  | autumn 1788 to autumn 1789 －－-
   |  | In Sir Joshua\'s house, 1789 t-
   |  |o 1792 －－ Six advantages and a-
   |  | demand, 1792 to 1793 －－ The o-
   |  |nly Turner prize, 1793 －－ Just-
   |  | a few tones by candlelight, 1-
   |  |793 to 1794 and beyond －－ Comi-
   |  |ng of age, 1795 to 1796 －－ Gra-
   |  |ndeur, 1796 to 1798 －－ The sis-
   |  |ter arts, 1798 －－ Vindication,-
   |  | November 1798 to November 179-
   |  |9 －－ The dark side, 1799 to 18-
   |  |00 －－ Tragedy and triumph, Dec-
   |  |ember 1800 to April 1801 －－ Ga-
   |  |ining the summit, April 1801 t-
   |  |o February 1802 －－ High places-
   |  | and high art, February to Oct-
   |  |ober 1802 －－ Dispute and disil-
   |  |lusion, November 1802 to July -
   |  |1803 －－ Another great room, sp-
   |  |ring 1803 to spring 1804 －－ Ar-
   |  |cadia-upon-Thames, June 1804 t-
   |  |o December 1805 －－ Staying awa-
   |  |y, December 1805 to December 1-
   |  |806 －－ Another grand title, No-
   |  |vember 1806 to December 1807 －－
   |  |- Higher education, January to-
   |  | September 1808 －－ \'The first -
   |  |landscape painter in Europe, t-
   |  |he first marine painter in the-
   |  | world\', September 1808 to Jun-
   |  |e 1809 －－ Six houses, three ca-
   |  |stles and a high street, June -
   |  |to December 1809 －－ A year\'s g-
   |  |race, 1810 －－ Just six weeks, -
   |  |January and February 1811 －－ A-
   |  | new epoch, February to Novemb-
   |  |er 1811 －－ \'This Prospero of t-
   |  |he graphic art\', November 1811-
   |  | to May 1812 －－ A man of prope-
   |  |rty, June 1812 to May 1813 －－ -
   |  |An English Eden, May to Decemb-
   |  |er 1813 －－ \'The eye wanders en-
   |  |tranced\', January to November -
   |  |1814 －－ The tremendous range o-
   |  |f his accomplishments, Novembe-
   |  |r 1814 to May 1815.
520|  |▼aJ. M. W. Turner (1775-1851) -
   |  |was arguably Britain\'s greates-
   |  |t painter. Through a remarkabl-
   |  |e amount of groundbreaking res-
   |  |earch, and by rigorously exami-
   |  |ning the existing evidence con-
   |  |cerning the artist\'s first 40 -
   |  |years. Eric Shanes has been ab-
   |  |le to unearth a mass of new in-
   |  |formation, forge many fresh li-
   |  |nks and provide a great number-
   |  | of original insights. His own-
   |  | training as a painter has ena-
   |  |bled him to bring a profound u-
   |  |nderstanding to the practical -
   |  |side of Turner, and thereby re-
   |  |veal many aspects of the outpu-
   |  |t that have hitherto been over-
   |  |looked. In order to intensify -
   |  |our grasp of the interrelation-
   |  |ship between Turner the man an-
   |  |d Turner the painter, this boo-
   |  |k contains over 450 illustrati-
   |  |ons that form an integral part-
   |  | of the story. As a consequenc-
   |  |e, we are able to perceive the-
   |  | exact trajectory of Turner\'s -
   |  |formative years and early matu-
   |  |rity more clearly than ever be-
   |  |fore. Within a strictly chrono-
   |  |logical framework, Turner\'s pe-
   |  |rsonal and creative developmen-
   |  |ts are charted in tandem, offe-
   |  |ring an exploration of his ste-
   |  |ngths and weaknesses of charac-
   |  |ter, and his intellectual and -
   |  |emotional complexity. Shanes p-
   |  |rovides an unrivalled account -
   |  |of Turner\'s creative aims and -
   |  |responses, his imaginative and-
   |  | technical evolution, his poet-
   |  |ic aspirations and identificat-
   |  |ions, his strong sense of duty-
   |  | and his educative ambitions. -
   |  |No less closely scrutinised ar-
   |  |e Turner\'s mastery of art-worl-
   |  |d politics, his wider politica-
   |  |l outlook, his professional re-
   |  |lationships, his sales, financ-
   |  |ial dealings and investments, -
   |  |his travels, and even the buil-
   |  |dings in which he lived and wo-
   |  |rked. Ultimately, we are shown-
   |  | that, despite his difficultie-
   |  |s with verbal communication, T-
   |  |urner possessed one of the sha-
   |  |rpest and most dazzling minds -
   |  |in the entire history of art. -
   |  |－－ from dust jacket.
600|10|▼aTurner, J. M. W.▼q(Joseph Ma-
   |  |llord William),▼d1775-1851▼xCr-
   |  |iticism and interpretation.
650| 0|▼aPainters▼zGreat Britain▼vBiography.
710|2 |▼aPaul Mellon Centre for Studi-
   |  |es in British Art,▼esponsoring body.
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