HEA|  |03235cam a2200301   450 
001|  |022025003603
008|  |230302s2023    enka     b    001 0 eng
010|  |▼a  2023009403
019|  |▼a1370487303
020|  |▼a9781032290645▼q(paperback) :-
   |  |▼cCNY194.42
020|  |▼a9781032290638▼q(hardback)
020|  |▼a9781003299875▼q(ebook)
020|  |▼a1003299873▼q(ebook)
040|  |▼aDLC▼cDLC▼dOCLCO▼dLHL▼dOCLCF▼-
   |  |dBKL▼dOCLCO
050|00|▼aHD9999.C9472▼bA42 2023
082|00|▼a331.7/617▼223/eng/20230302
090|  |▼aTP18-05▼b207921
245|00|▼aAI and the future of creativ-
   |  |e work :▼balgorithms and socie-
   |  |ty /▼cedited by Michael Filimowicz.
260|  |▼aAbingdon, Oxon ;▼aNew York, -
   |  |NY :▼bRoutledge,▼c2023.
300|  |▼axiv, 97 p. :▼bill. ;▼c22 cm.
490|0 |▼aAlgorithms and society
504|  |▼aIncludes bibliographical ref-
   |  |erences and index.
505|00|▼tCan a robot be a (good) coll-
   |  |eague? /▼rSven Nyholm －－▼tCrea-
   |  |tive machine-human collaborati-
   |  |on: toward a cybernetic approa-
   |  |ch to artificial intelligence -
   |  |and machine learning technique-
   |  |s in the creative arts /▼rStep-
   |  |hen Roddy －－▼tSlave to the \'ri-
   |  |thm: the AI turn in the music -
   |  |industries /▼rSarah Keith [and-
   |  | others] －－▼tA "new economy" o-
   |  |f blockbusters?: Netflix, algo-
   |  |rithms and the narratives of t-
   |  |ransformation in audiovisual c-
   |  |apitalism /▼rChristophe Magis -
   |  |－－▼tCounter-hegemonic AI: the -
   |  |role of artisanal identity in -
   |  |the design of automation for a-
   |  | liberated economy /▼rMatthew -
   |  |Garvin [and others].
520|  |▼a"This book focuses on the in-
   |  |telligent technologies that ar-
   |  |e transforming creative practi-
   |  |ces and industries. The future-
   |  | of creative work will be more-
   |  | complicated than \'the robots -
   |  |will take our jobs.\' The workp-
   |  |lace is becoming increasingly -
   |  |hybridized, with human and com-
   |  |putational labor complementing-
   |  | each other. Some economic rol-
   |  |es for the former will no doub-
   |  |t fade over time, while new ro-
   |  |les are created to produce AI－－
   |  |related technologies and imple-
   |  |mentations for productivity. N-
   |  |ew tools for the generation an-
   |  |d personalization of content a-
   |  |cross platforms will be as ubi-
   |  |quitous as the automation of r-
   |  |epetitive tasks in content cre-
   |  |ation workflows. Cultural conc-
   |  |eptions of what it means to be-
   |  | a creative worker will necess-
   |  |arily change as a result of th-
   |  |ese transformations in human-m-
   |  |achine labor. The volume cover-
   |  |s the possibilities of humans -
   |  |and robots developing collegia-
   |  |l relationships, creative cybe-
   |  |rnetics as machines and artist-
   |  |s become co-creators of art, t-
   |  |he reconcentration of corporat-
   |  |e power as AI transforms the m-
   |  |usic industry, the rhetoric of-
   |  | algorithm-driven cultural pro-
   |  |duction in streaming media, an-
   |  |d how artisans provide a model-
   |  | of counter-hegemony to automa-
   |  |tion processes. Scholars and s-
   |  |tudents from many backgrounds,-
   |  | as well as policy makers, jou-
   |  |rnalists and the general readi-
   |  |ng public will find a multidis-
   |  |ciplinary approach to question-
   |  |s posed by creative labor and -
   |  |industry research from Communi-
   |  |cation, Philosophy, Robotics, -
   |  |Media, Music and the Creative -
   |  |Arts, Informatics, Information-
   |  | Science, and Computer Science-
   |  | and Engineering"－－▼cProvided -
   |  |by publisher.
650| 0|▼aCultural industries▼xTechnol-
   |  |ogical innovations.
650| 0|▼aArtificial intelligence▼xInd-
   |  |ustrial applications.
650| 0|▼aArts▼xEconomic aspects.
700|1 |▼aFilimowicz, Michael,▼eeditor.